PDF Download Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals

PDF Download Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals

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Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals

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No component of graphic design has attracted as much interest or inspired as much innovation in recent years as lettering and type. These fundamentals of design, once the exclusive domain of professional typographers, have become an essential starting point for anyone looking for a fresh way to communicate. Practical information about creating letters and type often amounts to a series of guidelines for executing a particular process, font program, or style. But what makes lettering and type endlessly fascinating is the flexibility to interpret and sometimes even break these rules. Lettering & Type is a smart-but- not-dense guide to creating and bending letters to one's will. More than just another pretty survey, it is a powerful how-to book full of relevant theory, history, explanatory diagrams, and exercises. While other type design books get hung up on the technical and technological issues of type design and lettering, Lettering & Type features the context and creativity that shape letters and make them interesting.

Authors and designers Bruce Willen and Nolen Strals examine classic design examples as well as exciting contemporary lettering of all stripes—from editorial illustrations to concert posters to radical conceptual alphabets. Lettering & Type is ideal for anyone looking to move beyond existing typography and fonts to create, explore, and use original or customized letterforms. This latest addition to our best-selling Design Briefs seriesfeatures a foreword by Ellen Lupton and hundreds of images and examples of work by historical and contemporary designers, artists, and illustrators, including Marian Bantjes, Stefan Sagmeister, Matthew Carter, Christoph Niemann, Steve Powers (ESPO), House Industries, Christian Schwartz, Margaret Kilgallen, James Victore, Abbott Miller, Sibylle Hagmann, Ed Fella, and many more. Throughout the book interviews with type designers, artists, and graphic designers provide real-world perspective from contemporary practitioners.

• Sales Rank: #151368 in Books
• Brand: Willen, Bruce/ Strals, Nolen/ Lupton, Ellen (FRW)
• Published on: 2009-09-23
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 7.00" l, .84 pounds
• Binding: Paperback
• 144 pages

Review
"Party in honor of the release of the new book 'Lettering & Type' which will include the exhibit 'Fan Letter (26 Artists and Designers Present Their Favorite Letter or Typographic Character)'" --Designrelated

"First off... no, Post Typography is not us. I know... we should have thought about it but we didn't. Even if we did, these other cool dudes did almost a decade ago." -- Chad Kouri --The Post Family

"Were pleased as punch to have our work included in the book Lettering & Type: Creating Letters and Designing Typefaces by Bruce Willen and Noel Strals, which was just published by Princeton Architectural Press. The book includes work by so many people we admire, including Margaret Kilgallen and Stefan Sagmeister." --Visualingual

"Just received my copy of Lettering & Type: Creating Letters & Designing Typefaces by Bruce Willen and Nolen Strals. Smaller than I had expected (7x8.5" with only 130 pages), but beautiful with lots of typographic eye candy and some useful information for beginning type designers and anybody else who wants to develop a more critical eye for the subtleties of letterforms." --A Type Designers Journal

"Lettering & Type is a smart-but-not-dense guide to creating and bending letters to ones will. More than just another pretty survey, it is a powerful how-to book full of relevant theory, history, explanatory diagrams, and exercises. While other type design books often get hung up on the technical and technological issues of type design and lettering, Lettering & Type features the context and creativity that shape letters and make them interesting." --Typegoodness

"More than just another pretty survey, Lettering & Type is a powerful and essential how-to book full of relevant theory, history, explanatory diagrams, exercises, and inspiring examples of contemporary lettering and typeface design." --Entropy

"Another solid read from the Design Brief series. Great visuals and a good range of information from history to creating lettering and type design." -- Dave Aquino --Inspiration Explosion

"While other type design books get hung up on the technical and technological issues of type design and lettering, Lettering & Type features the context and creativity that shape letters and make them interesting." --Books Variety

"Lots of typographic eye candy and some useful information for beginning type designers and anybody else who wants to develop a more critical eye for the subtleties of letter forms." --A Type Designers Journal

"Fans of Post Typography and Double Dagger will already be familiar with Bruce Willen and Nolan Strals. For those uninitiated, the graphic design/teacher/rock stars will have a new label on Thursday: authors.Their book, Lettering & Type: Creating Letters and Designing Typeface, is a collection of essays by designers and artists, detailing the history, theory and art of the letters of the alphabet." -- Nancy Johnston --The Baltimore Sun

"No component of graphic design has attracted as much interest or inspired as much innovation in recent years as lettering and type.

These fundamentals of design, once the exclusive domain of professional typographers, have become an essential starting point for anyone looking for a fresh way to communicate." --Dexigner

"Lettering & Type is a smart-but-not-dense guide to creating and bending letters to one's will. More than just another pretty survey, it is a powerful how-to book full of relevant theory, history, explanatory diagrams, and exercises, ideal for anyone looking to move beyond existing typography to create original or customized letterforms. With a foreword by Ellen Lupton and hundreds of images and examples of work by historical and contemporary designers, artists, and illustrators, including Marian Bantjes, Stefan Sagmeister, Matthew Carter, Christoph Niemann, Steve Powers (ESPO), House Industries, Christian Schwartz, Margaret Kilgallen, James Victore, Abbott Miller, Sibylle Hagmann, Ed Fella, and more." --Typedia

About the Author
For nearly a decade, Bruce Willen and Nolen Strals have collaborated under the label Post Typography on creative projects encompassing graphic design, illustration, typography, lettering, and printmaking with additional forays into art, apparel, music, curatorial work, design theory, and vandalism. They both live in Baltimore.

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Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals PDF

Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals PDF

Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals PDF

Lettering & Type: Creating Letters and Designing TypefacesBy Bruce Willen, Nolen Strals PDF

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Download PDF Sentence Sense: A Writer's GuideBy Evelyn Farbman

Download PDF Sentence Sense: A Writer's GuideBy Evelyn Farbman

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Sentence Sense: A Writer's GuideBy Evelyn Farbman

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• Sales Rank: #2727595 in Books
• Published on: 1988-10
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 7.50" w x .75" l,
• Binding: Paperback
• 408 pages

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Ebook The Compelling Communicator: Mastering the Art and Science of Exceptional Presentation DesignBy Tim Pollard

Ebook The Compelling Communicator: Mastering the Art and Science of Exceptional Presentation DesignBy Tim Pollard

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The Compelling Communicator: Mastering the Art and Science of Exceptional Presentation DesignBy Tim Pollard

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You attend numerous presentations and meetings a year--filled with the typical dense and disorganized PowerPoint decks--and leave most of them thinking, "Well, that's an hour of my life I'll never get back." But out of this sea of mediocrity, a rare few rise up, captivating you and driving you to action. What makes these few so special? Despite what most people think, it's not because they were delivered well. It's because they were crafted in a way that deeply aligned with how your brain wants to consume information. The presentations that failed did so precisely because they violated the largely unknown "natural laws" that govern how people actually learn.In The Compelling Communicator, you will learn a proven process for designing presentations that touch your audience in a highly impactful way, motivating them to take your desired action by:

• Building around a small number of powerful ideas
• Keeping content within the audience's "brain bandwidth"
• Developing logical narrative structure
• Anchoring communication in the listener's priorities
• Creating "mind-sticky" storytelling and visuals
• Crafting handouts that allow your presentation to live on after the handshakes

Filled with examples of exceptional--and not so exceptional--presentations, along with clear explanations of why they do and don't work, this comprehensive guidebook provides every tool you need to become a standout presenter whose message is certain to leave a powerful, lasting impression.

• Amazon Sales Rank: #236994 in Books
• Published on: 2016-12-09
• Original language: English
• Dimensions: 9.00" h x .79" w x 6.00" l,
• Binding: Paperback
• 316 pages

Review "We've used the approach outlined in this book to change the way our executives make presentations. It has made a huge difference in our success rate with both internal and external customers. It's is actually a fun read, and the concepts aren't hard to implement, but you have be committed to changing the focus of your presentations to what the audience needs to know." -- Sue Graham, CEO, Elantas"What I most like about this book is its solid basis in cognitive neuroscience, and in particular its focus on how the (audience's) brain really deals with big ideas. This means that the presenter must operate at the level of ideas rather than simply bombarding the listener with data. This was liberating and I'm already seeing the difference it makes." -- Chris Dimock, Company Leader, Elation"Full disclosure: we used this communications model to move all our solutions messaging away from dense PowerPoints and towards true 'insight messaging' -- with transformative results. This book clearly explains that journey, and the models and tools presented here will make any executive or sales communication radically better; whether a formal presentation, speech or meeting with the boss." -- Michael Edmonds, President - US Business, S&C Electric Company"I learned more from this book than from my Communications degree. It explains so many things I'd always suspected about the problems of traditional communication." -- Susan S., Instructional Designer, Fortune 50 Company"This stuff really works. Even though it's rooted in brain science, the process is so practical and easy to apply that you can literally start using the principles the next day. You'll quickly find that your presentations are dramatically better -- more impactful, more memorable, and most importantly, more effective." -- Drew Pace, Executive VP and Head of Global Sales and Marketing (retired), Mellon Financial"We saw great results out in the market when we used this approach to redesign some really complex commercial messaging. The value of this book is its ability to get you to simple, crisp, clean, compelling messaging that really resonates with your customer's day-in-the-life experience." -- Dave Moeller, National Market Manager, Graybar"We used this methodology to build several complex research presentations, and the outcome has been outstanding. By applying brain science to business presentations, the author has finally explained WHY "death by PowerPoint" is so serious, and how to fix it. This book is great reading for anyone who wants to be a better communicator." -- Suzanne Duncan, State Street Center for Applied Research

About the Author Tim Pollard is the founder and CEO of Oratium. Throughout the course of designing and delivering thousands of complex presentations to boards, national conferences, and executive committees, Tim never stopped seeking to understand and capture the underlying "science" of extraordinary communication. The result of this journey has been the development of the unique set of tools and processes provided in The Compelling Communicator.Tim and his wife reside in Montana where they're raising their four wonderful kids.

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Free Download The Heidegger Reader (Studies in Continental Thought)From Indiana University Press

Free Download The Heidegger Reader (Studies in Continental Thought)From Indiana University Press

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The Heidegger Reader (Studies in Continental Thought)From Indiana University Press

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The Heidegger Reader brings key texts from the entire course of Heidegger’s philosophical career into one volume. Many of the selections, translated here for the first time, offer new insight into Heidegger’s thought for both the beginning student and the experienced scholar. A critical and interpretive introduction by Günter Figal traces the many thematic paths that are necessary for developing a comprehensive understanding of Heidegger’s most important work. The carefully chosen readings are designed to reflect the concerns that are most relevant to philosophy today. Special features include an authoritative chronology of Heidegger’s life, a current list of the Complete Works, and a definitive translation of Heidegger’s controversial interview with Der Spiegel.

• Sales Rank: #968023 in Books
• Published on: 2009-10-12
• Released on: 2009-10-12
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .86" w x 6.12" l, 1.16 pounds
• Binding: Paperback
• 368 pages

Review

"The essays gathered in this volume touch key markers on Heidegger's complex path of thought. Taken together, they draw the reader near to heart of his most enduring concerns and show how they evolved over the years." ―Dennis J. Schmidt, Penn State University

"An excellent synopsis of Heidegger's philosophical writing and exemplary in its translation of Heidegger's German into clear, readable English." ―Robert Metcalf, University of Colorado, Denver

About the Author

Günter Figal is Professor of Philosophy at the University of Freiburg in Breisgau, Germany. He is the author of several books on Gadamer, Heidegger, hermeneutics, and social and political philosophy.

Jerome Veith is completing his doctorate in philosophy at Boston College.

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The Heidegger Reader (Studies in Continental Thought)From Indiana University Press PDF

The Heidegger Reader (Studies in Continental Thought)From Indiana University Press PDF

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Free Ebook Middle Eastern MythologyBy S. H. Hooke

Free Ebook Middle Eastern MythologyBy S. H. Hooke

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The role of mythology in ritual and in the origins of customs, cults, and hero worship are the fascinating areas covered by this comparative survey. It discusses legends of the Egyptians, Babylonians, Assyrians, Hittites, and Canaanites, plus mythological elements of the Jewish apocalyptic literature and the New Testament.

• Sales Rank: #1483079 in Books
• Published on: 2013-07-17
• Released on: 2013-06-19
• Original language: English
• Number of items: 1
• Dimensions: 8.04" h x .50" w x 5.36" l, .52 pounds
• Binding: Paperback
• 224 pages

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Ebook Download Bad Rabbi: And Other Strange but True Stories from the Yiddish Press (Stanford Studies in Jewish History and Culture)

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Review

"Bad Rabbi is a masterful set of finely-tuned scholarship and critical zingers that brings detailed archival history of 'downwardly mobile' nineteenth- and twentieth-century Jews alive through vivid, erudite, and spit-take funny storytelling. Portnoy heads straight for the urban immigrant underbelly, opens up the newspapers, and uses portraits of a vanished people and a vanished culture to not just deliver a bygone way of life, but to explode some of our most dominant conceptions of modern Jewish culture." (Josh Kun author of Audiotopia: Music, Race and America)"Don't feel guilty chuckling your way through Bad Rabbi as you read about the crazy deeds and commonplace misfortunes of marginal Jews from a century ago. " (Renee Ghert-Zand The Times of Israel)"This fascinating book contains the strangest Jews I've ever met in my life. It should appeal to every history buff out there―Jewish, gentile or otherwise. What's Yiddish for 'Buy this book, or may all your teeth fall out except one to give you a toothache'?" (A.J. Jacobs author of The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible)"Only a historian with the wit and comic sensibility of Eddy Portnoy could succeed in resurrecting these dead and forgotten Jews of New York and Warsaw. Through his painstaking research, we can vicariously experience their desperation and lack of self-control, their strange passions and their various forms of mental illness – predicaments we're just one step away from ourselves." (Ben Katchor comic artist and creator of Julius Knipl: Real Estate Photographer)"In the staid world of academic Yiddishists, Eddy Portnoy is a live wire, a funny guy, a mischief-maker, what they used to call in the Catskills, a tummler...Bad Rabbi is a succession of outlandish misadventures, a wild panorama populated by an astonishing array of characters... Yiddish journalists were showboats, garnishing tabloid sensationalism with literary jokes and religious references. (Given this high-low style, as well as its caustic attitudinizing and internal feuds, the Yiddish press seems like a flamboyant forerunner to the old Village Voice.) Such zesty informality carries over into Portnoy's own writing, which, in blending the erudite and vernacular, regularly tilts toward the latter." (J. Hoberman New York Times )"While Bad Rabbi is a decidedly a work of scholarship, it is also―and fittingly―a surprising and sometimes shocking glimpse of the mishegoss that was eagerly reported in the Yiddish press....[A] book that took chutzpah to write but is a sheer pleasure to read." (Jonathan Kirsch Jewish Journal)"Endlessly interesting and entertaining with stories that range from the macabre to the hilarious." (Southern Jewish Life Magazine)"The 'two-bit nobodies' to whom Portnoy―a wickedly sparkling writer, by the way―dedicates Bad Rabbi include out-and-out criminals, crazies, eccentrics, hopeless dreamers and aspirant intellectuals. But they all share one thing―failure. Lobbes-dom is a wonderfully rich seam to mine, and mine it Portnoy does, using as excavating tools the unrestrained journalism of ancient file copies of Yiddish newspapers published in Warsaw and New York. I was enchanted by his accounts....Portnoy is a genius at putting the sting at the end of every chapter." (Jonathan Margolis The Jewish Chronicle)"...Portnoy's rollicking chronicle of Jewish newspaper scandal is an entertaining plunge into unexamined corners of the Jewish past. It is a necessary intervention into Jewish historiography, reorienting the historian's gaze to segments of the newspaper, and of history, that tend to get overlooked in the search for items significant to global politics and literary history. It is also an exemplar of scholarship aimed at lay audiences, with titillating and fast-paced storytelling that nevertheless offers historical depth and grounding." (Jessica Kirzane H-Judaic)"Exuberantly vulgar, blithely unconcerned with gentile opinion, these nuggets of low-class Yiddishism won't let us forget how rough-and-tumble life in Yiddishland really was." (Michael Wex author of Born to Kvetch: Yiddish Language and Culture in All of Its Moods)

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About the Author

Eddy Portnoy is Senior Researcher and Director of Exhibitions at the YIVO Institute for Jewish Research.

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Product details

Series: Stanford Studies in Jewish History and Culture

Paperback: 280 pages

Publisher: Stanford University Press; 1 edition (October 24, 2017)

Language: English

ISBN-10: 150360411X

ISBN-13: 978-1503604117

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#347,689 in Books (See Top 100 in Books)

Many American Jews would like you to associate the word "Jew" with the likes of Albert Einstein or Jonas Salk, as they themselves do. But not all Jews are geniuses or benefactors of mankind. Like every ethnic group, Jewry has always had its share of lowlives, sleazeballs, weirdos and raving lunatics--but their stories would be lost to history were it not for being preserved in the almost-never-read archives of the late Yiddish press. (Who's to read old Yiddish newspapers any more? Only Eddy Portnoy.) Whenever a Jewish sleaze did make the news, my older relatives would squirm; their criterion for judgment about everything was first and foremost "Is it good for the Jews?" (My father used to say of Roy Cohn, "That's the kind of Jew that anti-Semites can love.") The only reason these histories were preserved was that anti-Semites could not read them and thus could not exploit them. Still, a fair number of them comport with popular anti-Semitic stereotypes, suggesting that the bigots had at least second-hand if not direct experience with the sordid underbelly of Jewish society. The stories are fascinating, sometimes hilarious, but one still fears they will play into the hands of bigots even if the squalid, teeming slums of the Lower East Side and of Warsaw, the incubators of all that, are long gone. One reads of riots spawned by ludicrous rumors about doctors and public health, and one thinks of the systematic murder of vaccination teams and the spreading of wild rumors by Islamic extremists today. Same story, different protagonists! (There is something touching about the saga of Urke Nachlnik, a career criminal who became a litterateur and journalist and ended up an anti-Nazi guerrilla martyr. Think about that trajectory.)

Sounded better from the reviews than it turned out to be. The text was repetitious and the stories were not that interesting. Still, it's one of the few books available to give you a perspective on the yiddish press.I'm sure the material is out there for a better book than this. Let's hope someone writes one!

The introductory material alone is well worth the price of this book. Mr. Portnoy gives us a much-needed perspective to understand the time and place when this material was created. In my parents' and grandparents' generations, they were adamant about condemning anything in print that dared to show our people as anything but good, the mentshes of our people. I often argued, "C'mon, there is no one group of people that is either all good or all bad." They would agree, of course, but were terrified of even more oppression of our people if anyone could see anything truly negative. I think that even they would like this book. The bizarre material (which reads like a comic book) researched and collected from actual printed news articles of past eras is framed in a loving, sympathetic, yet utterly humorous context. Thank you, Mr. Portnoy, for making me laugh. Knowing that this stuff really happened could have been horrifying -- but because of how it was presented, it gave me joy and gratitude for our present time, which is hopefully not like that!!! (OK, maybe it is somewhere, but like I said, I was/am sheltered LOL). Fascinating read. You won't find anything like this elsewhere.

The topic interested me - there is value to showing a more multi-faceted picture of a community than is typically known. One of the values is that when people pine for “the good old days, when everyone was a saint, unlike today ...” we know that there were always good and bad people, and this is true of any group. Some of my gripes have to do with the too-light manner in which some of the serious matters are written about. The line that bothered me the most, and still does, is about a victim of the Holocaust: Reb Dan was shipped off to Treblinka ... “No one ever heard of Reb Dan after that because, quite literally, he went up in smoke.” I found that deeply distasteful. I wish the author would see this so that he’d know how offensive it is. He could have finished the sentence “... because of his tragic end.”

It is difficult to put this down--always wondering what the next chapter will bring. The bios of a range of colorful characters are presented, who you will appreciate are not forgotten by this book. A good picture also of the surrounding culture. That said, the text should have been reviewed by a proofreader for the occasional forgotten word, but no matter--if you are the type that the cover picture and title makes curious, you will enjoy it. Reading before bedtime, you will go to sleep laughing.

Stories bizarre, funny, and poignant. Strange but true only begins to describe this. I love attempting to read the Yiddish newspaper articles from which these stories were gleaned.

New York Times Sunday book review reviewed this book and it sounded interesting so I bought it from Amazon on my e-book. It is sort of interesting but gets tedious after a while.

These rabbis may be bad, but the writing is good. Very good. Thanks to author, Eddy Portnoy, for shining a clear light on a part of Jewish life that had only existed in shadows. Hilarious, poignant, and heartbreaking, I read it in one sitting.

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PDF Ebook A Lily in the Light

PDF Ebook A Lily in the Light

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A Lily in the Light

PDF Ebook A Lily in the Light

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Audible Audiobook

Listening Length: 9 hours and 22 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: April 1, 2019

Whispersync for Voice: Ready

Language: English, English

ASIN: B07HYCJ1BP

Amazon Best Sellers Rank:

This novel is absolutely heart wrenching. I don’t generally read books like this but this one is very well written. I chose this as my Kindle First Read because I mistakenly thought it was more of a suspense novel with ballet thrown in. This book is very much a drama and not about the search for a missing girl. This story is about the broken pieces left behind when one is missing. How does a family move on with their youngest member has disappeared? The first half of the novel is from the perspective of 11 year old Esme as her world falls apart. The second half is Esme as an adult struggling with potential news and reconciling with her childhood and her family. It is a portrait of raw grief but it leads to Esme being able to dance through anything. Ballet is a string part of the novel but very much secondary to the loss and the absence that Lily’s disappearance leaves behind.As I said I don’t generally read novels like this but I could not put it down. By the end I wanted more of these characters and this very real world created. I wanted to know what the next chapter would look like for this family. If you like drama and serious stories than I think you will appreciate this one. If it helps this novel does not contain anything dark or difficult to read. I hate novels that do anything to children. This novel is really about a family left behind and there’s nothing graphic in the resolution and there will be a resolution to her disappearance. But again it’s not a suspenseful resolution where you are trying to figure out the answer. A very well written story that I read very quickly. Personally I agree with it being listed as Women’s Fiction but not Coming of Age. The subject matter is too dark for a young person to read and the sequence of events where she is an adult is too mature.

A Lily in the Light is a stunning debut - unputdownable - that moves through grief and ambition and pulls at your heartstrings the entire time.

1.5 STARSEleven-year-old aspiring ballerina Esme’s life changes the day her little sister Lily disappears. Eight years later, older sister Madeline calls Esme in Paris with startling news.Either I have terrible luck choosing Amazon Prime Read First Books, or those books aren’t very good. I enjoy books about child abductions and stories about ballerinas, so I was excited to start reading A LILY IN THE LIGHT. Kristin Fields came up with a great premise, but the execution lacked both tension and emotion.Esme was an easy character to embrace. I wanted to be able to feel her heart.The writing was fine., though lacked a distinct voice. I kept wanting more from the story. I wanted to care and just didn’t.I bumped by rating up to 2 stars, because I did care enough to finish.

A Lily in the Light is a tender, heart-wrenching novel that considers the long-ranging effects of shattering loss upon a young dancer and her family. A haunting and beautifully rendered tale of survival and the careful tending to a wild and desperately needed hope. Highly recommended.

This Amazon First Read is unlike most books on Goodreads’ Domestic Thriller Shelf. “A Lily In the Light” has a few thrills, but is loaded with feels—as in bucketfuls of personal/family drama, angst, and guilt. It has a romance of sorts, plus a hint of paranormal. This is women’s fiction chronicling the emotional journey taken by eleven yr old Esme—plus that of her siblings and parents—after her 4 yr old sister vanishes and cannot be found.The author employs the flashback and forward technique that I tolerate but don’t particularly enjoy. The pacing is leisurely with a few exceptions. I liked and empathized with the protagonist, Esme, as an eleven year old, but she felt distant when written as an adult. None of the other characters were particularly appealing. There were a few ancillary plot digressions (and characters) that slow the story.Although I’ve attended ballet performances, I know little about the world. I was mystified whilst reading about ballet classes, dance positions, techniques, etc. I stopped reading this book, and instead read online about ballet and watched ballet videos to help me envision Esme’s ballet performance.The author’s skillful writing saved this book, elevating it to 3 stars.

I weeped reading this. All the emotions each family member felt were so real and valid and excruciating. We had a family experience and it brought forth all those emotions. Very well written.

My First Reads choice for March, an easy choice- the synopsis spoke of an interesting, emotional story about a missing four year old and the destruction of a family. The first half of the book is told from the point of view of Lily's eleven year old sister- an aspiring ballet dancer.Esme, eight years later is in Paris. I won't put any spoilers in my review, you need to read it yourself. But the continuing havoc on Esme and her family is heart wrenching. It's a good book, gets you emotionally involved from the beginning.

I received an advance copy of this novel, and I'm thrilled the world gets the chance to read it! A Lily in the Light captures family in the throes of chaos. A journey through guilt and suffering, the world of ballet, culminating in the miracles achieved through both. Fields is an emerging literary talent and her debut, deftly written, uncovers the heart of family and forgiveness. Brava Kristin Fields

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